The mystery of Christ’s death and resurrection lends itself to, perhaps even demands, pictorial realization like no other story. To prove that the Easter spirit hasn’t left the silver screen, here are two more recent entries you may have missed. Movie-watching may not be as common a pastime at Easter as on other holidays, but […]
I enjoyed Peter Jackson’s film version of “The Lord of the Rings” and accept that a film adaptation is just that: an adaptation. However, my objection to the film rests at a more fundamental level: I object because filmic versions of fantasy fiction serve to abolish the imagination. Most Imaginative Conservative readers are fans of […]
Like the Greek tragic heroes of Oedipus and Prometheus, Oppenheimer used his almost superhuman intellect and ability to achieve something that led not only to his own suffering, but also to the suffering of others. Americans today would do well to heed the lessons passed down from the Greek tragedians about the reckless and stubborn […]
Incarnating the truth in art is the supreme test for a writer with convictions, and this problem is the real heart of the tension between entertainment and literature. I had a friend in England I’ll call Rosemary. She had always wanted to be a writer, so she honed her craft and eventually got a contract […]
The protagonist of the film “Groundhog Day” discovers that what makes life worth living is not immediate gratification, or moral autonomy, or flippant cynicism, or self-deification, but rather encountering those things that give meaning and purpose to our lives. Today, we are experiencing nothing less than a renaissance of classical education throughout the United States, […]
Ridley Scott’s film is a vast oversimplification of a complex historical reality. Therein lies the danger. Like a mind-altering drug, the film provides a convenient shortcut that saves the audience the time and trouble of thinking for themselves. Filmgoers, of course, need not become experts in Napoleonic history. But Scott might have done more to […]
The film “Maestro” is certainly well made—there is striking imagery throughout, in both black-and-white and color—and well-acted, with Bradley Cooper (who also directed) carrying off a spot-on impersonation of Leonard Bernstein. But at its core is an emptiness that no mere artifice can fill. Writers for the movies, I have found, don’t seem to know […]
Perhaps the new “Hunger Games” film’s success is due as much to its realism about human nature as it is to the fact that it’s a familiar product whose origins lie in the time before the full conquering of Hollywood by wokeness. The movie critic John Podhoretz once recalled a woman coming out of a […]
There is a world of difference between the dark arts and the art of darkness. Truth be told, there is more than a world of difference; there is a hell of a difference and a hell of a distance. It is the difference and the distance between heaven and hell. The dark arts are evil […]
The Miracle of the Bells doesn’t claim to be great literature, but it is a richly-drawn story about faith and Hollywood, a time capsule of a bygone era that retains its inspirational charm. The Miracle of the Bells by Russell Janney (510 pages, Forgotten Books, 1946) Back in 1947 it was possible for a Catholic novel to […]
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